“Attack of the Super Monsters” is a junk-drawer movie. For starters, it’s not technically a movie, but rather a handful of episodes of a Japanese kids’ show stitched together. It gets stranger than that, because it’s a weird combo of hand-drawn animation, Godzilla-style rubber monster suits and live-action backgrounds. If Osamu Tezuka and Ralph Bakshi ever worked together, it might look like this. Continue reading
It’s difficult to make 31 movies about a single character without repeating yourself a few times, and Godzilla is one of those characters. Whether he’s the hero or the villain, an intelligent creature or a mindless beast, the basic elements of a Godzilla movie have remained the same for the most part over the last 52 years. That’s why when a movie like “Shin Godzilla” is added to this long-running series, it’s something special. Like its star monster, “Shin Godzilla,” manages to take a familiar form but still be something unusual and unique.
On its surface, there isn’t anything about “Shin Godzilla” that hasn’t been seen before in any other Japanese monster movie. Godzilla emerges from the ocean, stomps on Tokyo, and it’s up to a brave coalition of scientists, military and civil servants to put an end to his rampage. Where the movie deviates from the rest of the series is in how the threat of Godzilla evolves over the course of the movie, its more grounded setting, and how it uses Godzilla as an allegory for real-world events. It’s a strange Godzilla movie, but it’s definitely a Godzilla movie through and through. Continue reading
This has been a big year for religious movies. Not only was there a big-budget adaptation of the story of Noah, but a pair of independent Christian movies have been pulling in impressive box office numbers. The trend continued earlier this month with the release of what I consider to be the most thought-provoking and interesting religious film of this or any recent year. That’s right, the one with the giant nuclear death-monster. Continue reading