The original “Death Race 2000” isn’t just a nearly perfect slice of drive-in junk food, it’s one of my favorite movies ever. Working off a recipe that balances black comedy, action and sleaze in precise proportions, director Paul Bartel and writers Robert Thom and Charles Griffith created one of the best and most entertaining products to ever come out of Roger Corman’s schlock market. It would take more than another movie to combine road racing with wholesale slaughter to clear the bar set by “Death Race 2000,” and “Death Race 2050” certainly tries. Continue reading
The problem with zombies, according to zombie movies, is that there are far too many of them and it’s far too easy to make more of them. The same could be said for zombie movies themselves, unfortunately. Since the zombie movie became a genre unto itself, most zombie movies have taken on the characteristics of their stars – shambling, predictable, brainless and indistinguishable from each other.
Lurching alongside the rest of the pack is “2012: Zombie Apocalypse,” which couldn’t be more generic if it came in a brown paper wrapper. Even the title suggests that you won’t find anything in it that can’t be found in dozens of other movies. It’s actually surprising to me that this is a SyFy Original movie, because SyFy has shown at least enough creativity to smash two toothy animals together into one CGI beast to chase Debby Gibson or Jimmy Walker. Continue reading
If there’s anything I respect and appreciate as much as a good movie, it’s a terrible movie. From time to time, I’ll be posting a review of a terrible movie I found either on Netflix or elsewhere. I think it’s important to highlight that these things exist, and that someone somewhere thought they were good ideas.
If there’s a cardinal rule of filmmaking, it would have to be this: Never be boring. This goes double for B movies, because without the budget to fill the screen with eye-catching explosions or famous stars, you have to do all the work of maintaining the audience’s interest yourself. “Mutant Hunt” offers a variation on this rule: Never propose something significantly more interesting than you’re prepared to show the audience. “Mutant Hunt” fails this rule early on, as the heroes discuss the plight of a captive scientist. Apparently, the bad guy can detain this scientist legally for 72 hours because of some law passed in response to “the space shuttle sex murders.” Continue reading