“Meet the Hollowheads” (aka “Life on the Edge”) feels like a studio executive gave the green light to “Harmony Korine’s The Jetsons” and then forgot to hire a screenwriter. This is a film in which plot, character, and theme whimper in the corner as production design rules over them with an iron fist. Part music video, part sitcom, and part fever dream, it’s a movie that’s definitely not afraid to be strange and off-putting. The question is whether or not that enthusiasm is enough to justify the results. Continue reading →