You know what you’re in for very early on with “Terror in Beverly Hills.” Not only does the name “Frank Stallone” appear almost immediately on screen, but the rest of the credits unspool while Palestinian terrorist mastermind Abdul runs his daily errands. He reads a newspaper, he goes to a shop, and he visits his local mosque. No dialogue, no action, just a man going about his business at a leisurely pace. When he finally boards a jet for the United States, you wonder if you’re going to watch him sit through the entire 14-hour flight. Continue reading
This would have made more sense to post a few weeks ago, but I didn’t have the conversation that inspired this until Christmas Day and work got in the way. Let’s just call this early for Christmas 2014.
There’s a growing movement that considers “Die Hard” to be a Christmas movie, and I understand that completely. It takes place during Christmas, for one thing. Beethoven’s “Ode to Joy” is referenced heavily in the score, and that’s a staple of Christmas church services in Europe. And it devotes a subplot to John McClain’s attempts to reconcile with his family, so it even covers “Christmas is all about being with family.” Obviously, there’s room for debate on this, your mileage may vary, etc. Continue reading