“Sharkenstein”

small_1645952The art of movie making essentially is a sleight of hand trick. The filmmaker’s craft is convincing the audience that what they’re seeing is real, in a limited sense. What works in filmmakers’ favor is that they only have to make what’s directly in front of the camera seem real. The movie screen creates a very thin slice of reality that only exists as light and sound. By carefully selecting the evidence and manipulating it in front of the camera, a filmmaker can make an audience believe in something, even if that belief is fleeting. For example, Steven Spielberg knew the robotic shark built for “Jaws” wouldn’t be as convincing to an audience as he had hoped. But, by carefully choosing how much of that shark to show and when, coupled with John Williams’ music, Spielberg made an entire generation scared to even dip their toes into a swimming pool. Continue reading

“Attack of the Killer Tomatoes”

220px-attack_of_the_killer_tomatoesAttack of the Killer Tomatoes” was guaranteed to be a perennial entry on numerous “worst movies ever made” lists even if a single frame of it had never been shot. The kindergarten-joke-book nature of the title ensured that it would be an easy target for the likes of Michael and Harry Medved’s “Golden Turkey Awards” and other fans of “so bad it’s good” cinema. Everything you need to know about what kind of a movie this is can be found right there in the title, so it wouldn’t be too surprising if a lot of the people who rank it up there with “Plan 9 From Outer Space” actually haven’t seen it. To say “Attack of the Killer Tomatoes” is one of the “worst movies ever made” only indicates that you need to see more movies. Continue reading